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primary structures exhibition 1966 artists

Bell 's work was also included in the seminal Museum of Modern Art exhibit, The Responsive Eye in 1965. 1966. Larger-than-life-size, the images reached from floor to ceiling. Their education followed similar trajectories and they both worked as assistants to Henry Moore. Location Chicago’s early work was Minimalist, and she was part of the landmark Primary Structures exhibition in 1966 at The Jewish Museum in New York. The Jewish Museum’s Other Primary Structures is a provocative call to action that seeks to confront a “mythologized” exhibition of U.S. and British Minimalist sculpture by showing a new roster of international artists, many of whom used a pared-down sculptural language broadly linking them to the original influential exhibition, Primary Structures. Primary Structures: Younger American and British Sculptors was a minimalist art exhibit shown from April 27 - June 12, 1966 at the Jewish Museum in New York. Many artists, Donald Judd chief among them, dislike the moniker. LeWitt participated in seminal group exhibitions including 'Primary Structures', Jewish Museum, New York, NY, USA and '10', Dwan Gallery, New York, NY, USA both in 1966, dOCUMENTA IV in 1968 and Harald Szeeman's exhibition 'When Attitude Becomes Form', Kunsthalle Bern, Switzerland and Institute of Contemporary Art, London, UK (1969). Critically acclaimed for its breakthrough approach to this new geometric and formally reductive artistic practice, which introduced an entirely new visual lexicon to Western art history, the Primary Structures exhibition also ushered in a new style of presenting ideas and objects in relation to space. Primary Structures (1966 exhibition) explained. Lever. Through a very hands-on form of study, Other Primary Structures asked what might have been included in the 1966 show if the art world of the sixties had been as global as it is today. Looking back at this seminal show seems as looking at the moment when the art world tipped into what we now know. In 1966, five years after he started his collection, John Kaldor viewed the now-legendary Primary structures: younger American and British sculptors exhibition, curated by Kynaston McShine for the Jewish Museum, New York. Irene Emery papers: finding aid (PDF): We hold the personal archives of Irene Emery (1900–1981), a pioneering textile scholar best known for her seminal 1966 publication The Primary Structures of Fabrics: An Illustrated Classification. But maybe, more importantly, it introduced a radical concept of an artist as "designer", not necessarily as "maker", where ideas and space that did not rely on the artist's hand, but rather on the final result. Lithograph. It became the first American museum show to survey this new style of art. Most aggressively, photographic murals of installation views from the earlier exhibition pervaded the galleries. But then they also seemed ill-disposed towards the presence of NY-based Smith. “Other Primary Structures,” at the Jewish Museum, features an architectural model of the museum in 1966, before the latest expansion of its Upper East Side home in 1993. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue’s iconic cover. William Tucker war 1966 eingeladen zu der wegweisenden Ausstellung ‘Primary Structures’ im Jewish Museum in New York, dem entscheidenden Moment für die Amerikanische Minimal Art. We ask you for support of David Lamelas' work Quand le ciel bas et lourd, that the Flemish government decided to remove.. Brussels, Dec. 3 - Quand le ciel bas et lourd was realised for the exhibition The America. The Primary Source News, updates, and the blog. How The Primary Structures Exhibition of 1966 Changed Course of Art HistoryFebruary 17, 2019 Elena MartiniqueA philosophy graduate interested in theory, It was organized by the museum's Curator of Painting and Sculpture, Kynaston McShine. Sculptures that embodied this new Minimalism at the ‘Primary Structures’ exhibition in 1966 include Carl Andre’s Lever (1966), which consisted of 137 bricks laid in a line along the floor, and Sol LeWitt’s Untitled (1966), an open white cube divided into many interior cubes. While a growing number of artists were making Minimalist work through the ’60s, it wasn’t until the 1966 “Primary Structures” exhibition at the Jewish Museum in New York that this style was identified as a more widespread American phenomenon. Hairy Who? The exhibition explores work by early photographers from the mid-19th century and the most exciting contemporary artists working with photography, alongside historical painting. It was included in Primary Structures, a landmark exhibition of minimalist art at The Jewish Museum in New York, where it was first shown publicly in 1966. The major and minor collected here provide an introduction to the developments in … Taking place at the Jewish Museum between April and June 1966, the Primary Structures exhibition included work by 42 artists. Artist: Carl Andre Carl Andre's Lever was the most audacious entry at the 1966 Primary Structures exhibition that introduced the public to Minimalism. Among artists from Los Angeles and New York were Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, and Judy Gerowitz (now Judy Chicago), while Philip King, Michael Bolus, and David Annesley were among those selected from the U.K. McShine attempted to provide an organizing principle for the diverse collection of works included in the exhibition by dividing the artists into two tendencies, which he presented as deriving from the work of Anthony Caro and Tony Smith. Catalog for the exhibition "Primary Structures" at the Jewish Museum. It appears that detractors didn't like the presence of West Coast artists and the British in the exhibition. Architecture and Design This exhibition is funded by the Terra Foundation for American Art. Lever. Bringing together sculptures from the 1960s created by artists from Latin America, Asia, Africa, the Middle East, and Eastern Europe, the museum reexamined an important moment in art history while taking a far more global perspective. British artists were showcased in Primary Structures at the Museum of Modern Art in New York in 1966. In 2014, the Jewish Museum presented an exhibition Other Primary Structures, which revisited the premise of and built upon this seminal 1966 exhibition. Browse more than 4,000 artists represented in the Tate collection Began as a painter, then turned to making Minimal sculpture in formica on wood and was included in the Primary Structures exhibition at the Jewish Museum, New York, 1966. Chicago’s early work was Minimalist, and she was part of the landmark Primary Structures exhibition in 1966 at The Jewish Museum in New York.She turned to feminist content in the late 1960s. Other Primary Structures is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s. The Primary Sculptures came to assume a prominent place in the history of exhibition making, as it introduced the public to artists who were unknown at the time, but soon became synonymous with a radically new approach to sculpture now known as Minimalism. Lisson Gallery is pleased to present a selection of important works by Hélio Oiticica, occupying both New York galleries. Exhibition Catalog The catalog accompanying the exhibition features essays by Ágnes Berecz, Magdalena Holzhey, and Meredith Malone that examine Edition MAT within the social and cultural context of the late 1950s and early 1960s, conveying new insights into a range of experimental activities that engaged with movement, serial structures, and viewer participation. Pages from Nov. 1966 Art international article on the the Eccentric Abstraction exhibition at the Fischbach Gallery, 1966 Nov. Both Bell and McCracken appeared in the seminal 1966 “Primary Structures” exhibition at The Jewish Museum, which established a canonical group of American and British Minimalists. We provide art lovers and art collectors with one of the best places on the planet to discover modern and contemporary art. Over 75 artists featured at Colors of the Desert virtual exhibition. Primary structures and speculative forms takes McShine’s exhibition as a point of departure and explores various strands of artmaking that connect it to the present. © 2013-2020 Widewalls | Work by leading photographers Martin Parr, Craigie Horsfield, Sam Taylor-Wood, Richard Billingham, Julia Margaret Cameron and Gustave Le Gray will be on display beside key works from the National Gallery collection. 2020-11-20 12:00:00 2021-02-27 18:00:00 White Cube | Al Held - The Sixties . This row of 137 firebricks aligned to project out from the wall and straight across the floor was likened by Andre to a fallen column. 30 Oct 2020 - 11:11. Primary Structures (1966 Exhibition) Primary Structures: Younger American and British Sculptors was a minimalist art exhibit shown from April 27 - June 12, 1966 at the Jewish Museum in New York. Born Judy Cohen in Chicago, Illinois, in 1939, Chicago attended the Art Institute of Chicago and the University of California, Los Angeles. Featuring 25 international artists, the exhibition explored a range of manifestations of reduced and abstract geometric sculpture in the 1960s, highlighting the full global reach of this groundbreaking movement. Summary: The papers of Parisian art dealer, René Gimpel (1881-1945), dating from circa 1890-1966 (bulk 1902-1930s), and measuring 0.4 linear feet, provide a small but significant window into the crucial relationship between American collectors and the art dealers who supplied them, as they amassed some of the most influential art collections of the first half of the twentieth century. seminal group exhibitions including ‘Primary Structures’, Jewish Museum, New York, NY, USA and ‘10’, Dwan Gallery, New York, NY, USA both (in 1966), dOCUMENTA IV, Kassel, Germany (1968) and Harald Szeeman’s exhibition ‘When Attitude Becomes Form’, Kunsthalle Bern, Switzerland and Institute of Contemporary Art, London, UK (1969). The Jewish Museum, NY The Primary Structure Exhibition at the Jewish Museum Taking place at the Jewish Museum between April and June 1966, the Primary Structures exhibition included work by 42 artists. Architecture and Design Meanwhile, Corse did find representation with the idiosyncratic New York dealer Richard Bellamy, but large-scale recognition was elusive. Artist: Carl Andre Carl Andre's Lever was the most audacious entry at the 1966 Primary Structures exhibition that introduced the public to Minimalism. But then they also seemed ill-disposed towards the presence of NY-based Smith. The pivotal 1966 exhibition Primary Structures was organized by Kynaston McShine, then of Curator Painting and Sculpture at The Jewish Museum, who would later become Curator of Exhibitions of The Museum of Modern Art, New York. An art movement is a style in art with a specific common philosophy or goal, followed by a group of artists during a period of time. Other Primary Structures is a long-overdue reintroduction of the accompanying catalogue to Primary Structures by Kynaston McShine, a classic, out-of-print text. Lithograph. Born Judy Cohen in Chicago, Illinois, in 1939, Chicago attended the Art Institute of Chicago and the University of California, Los Angeles. The show takes its name from the Museum’s seminal 1966 exhibition ‘Primary Structures: Younger American and British Sculptors’ and gathers Minimalist 1960s sculptures. Communicating new perspectives, questioning the status quo, speaking out about beliefs, and inspiring others to take action—art and activism often share some of the same underlying motivations. Browse through the archive or use the filter to search for structures. Organized by Jens Hoffmann, Deputy Director of Exhibitions and Programs, the show also explored the legacy of the historic 1966 exhibition through oversize archival installation images, a large-scale model of the original, and an extensive timeline. Talk:Primary Structures (1966 exhibition) Language; Watch; Edit; Active discussions. Installation view of the exhibition Primary Structures: Younger American and British Sculptors, April 27-June 12, 1966. Lever (1966) Artist: Carl Andre. In The Great Outdoors, artists’ responses to the terrestrial realm—representational, abstract, or conceptual—reflect the diversity of nature and individual experiences of it. This row of 137 firebricks aligned to project out from the wall and straight across the floor was likened by Andre to a fallen column. 76.2018.136. Dec 9, 2014 - Primary Structures, exhibition 1966, Jewish Museum, New York Primary Structures: Younger American and British Sculptors was an exhibition presented by the Jewish Museum in New York City from April 27 to June 12, 1966. He noted that the show made a brilliant case "for this hitherto diffuse and largely undocumented school."[1]. Primary Structures. Titled Primary Structures: Younger American and British Sculptors, the show presented works which shared general characteristics of scale, simplified geometry and smooth, often colorful, industrial surfaces. Introducing a new generation of artists, the showcase pushed the boundaries of painting and sculpture, consequently changing the course of contemporary art. We aim at providing better value for money than most. Solo exhibition of new paintings by Merlin James opens at Sikkema Jenkins & Co. albertz benda opens an exhibition of works by Wassef Boutros-Ghali New exhibition brings together quilts to tell important American stories Frederick Weston, outsider artist who was finally let in, dies at 73 Exhibition at Dickinson London considers the theme of courage While the exhibition is now heralded as the first major U.S. exhibition devoted to minimal art, the term “minimalism” was not mentioned in McShine’s catalog text for the show. Primary Structures: Younger American and British Sculptors was an exhibition presented by the Jewish Museum in New York City from April 27 to June 12, 1966. During a forum on the New Sculpture conducted at the museum, in which McShine, Judd, Barbara Rose, Robert Morris and Mark Di Suvero participated, di Suvero described the exhibition as the key show of the decade. She turned to feminist content in the late 1960s. Bride of the Sun: 500 Years Latin-America and the Low Countries at the KMSK in Antwerp (1992) and donated to the M HKA by the artist in 2011. Carl Andre's Lever was the most audacious entry at the 1966 Primary Structures exhibition that introduced the public to Minimalism. Phillip King PRA (born 1 May 1934) is a British sculptor. In dieser Zeit wurde er auch als Theoretiker, Kritiker und Ausstellungsmacher bekannt. Primary Structures (1966 Exhibition) [Surhone, Lambert M., Tennoe, Mariam T., Henssonow, Susan F.] on Amazon.com.au. This row of 137 firebricks aligned to project out from the wall and straight across the floor was likened by Andre to a fallen column. In his 1966 review for ARTnews titled Young Masters of Understatement, John Ashbery argued that the movement looked backward as well as forward, noticing "the influence of Constructivist monuments like Malevitch’s architectural models, Tatlin’s Monument to the Third International, Schwitters’ Merzbild and the environmental sculptures of Kiesler and Moholy-Nagy." It was organized by the museum's Curator of Painting and Sculpture, Kynaston McShine. This exhibition was a critical and media success as reported in Time and Newsweek and was soon followed by critical labels for the art included - "ABC art", "reductive art" and "Minimalism". John McCracken (1934-2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form, and finish. “Other Primary Structures,” at the Jewish Museum, features an architectural model of the museum in 1966, before the latest expansion of its Upper East Side home in 1993. While other names are proposed – including ABC Art, Reductive Art, Literalism, Primary Structures and Specific Objects – Minimalism eventually sticks. Scale model of 1966 Primary Structures exhibition at The Jewish Museum, New York, in Other Primary Structures. Many artists, Donald Judd chief among them, dislike the moniker. Dec 9, 2014 - Primary Structures, exhibition 1966, Jewish Museum, New York They dared to dream. At the core of the exhibition are works by artists associated with 1960s minimalism. In this way, the museum encouraged a dialogue between works on view and the historic show which is now regarded as a landmark of exhibition history. Elaine Lustig Cohen. The original Rainbow Pickett was shown in New York in 1966 as part of the foundational Minimalist exhibition, “Primary Structures,” at the Jewish Museum; the influential critic Clement Greenberg described it then as one of the best works in the exhibition. LeWitt participated in seminal group exhibitions including 'Primary Structures', Jewish Museum, New York, NY, USA and '10', Dwan Gallery, New York, NY, USA both in 1966, dOCUMENTA IV in 1968 and Harald Szeeman's exhibition 'When Attitude Becomes Form', Kunsthalle Bern, Switzerland and Institute of Contemporary Art, London, UK (1969). In the accompanying catalog, which is a replica of the original catalog enriched with a new companion volume that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, Hoffmann explained that the history of exhibitions has become "a separate field of critical examination." Catalog for the exhibition “Primary Structures” at the Jewish Museum. … He is one of Anthony Caro's best known students, even though the two artists are near contemporaries. First one-man exhibition at the Phillips Gallery, Detroit, 1953. Primary Structures: Younger American and British Sculptors was an exhibition presented by the Jewish Museum in New York City from April 27 to June 12, 1966. [2] He further added: ...my friend Donald Judd cannot qualify as an artist because he doesn't do the work. Schedule your visit here. PRIMARY TALKS are organized frequently. PRIMARY STRUCTURE, is a masterclass about developing intelligent building structures Students work from specific case studies, feasibility studies submitted by the practice or social necessity. Other Primary Structures revisits the premise of and builds upon the Museum’s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Larry Bell, (born in Chicago in 1939) emerged in the mid-1960's, and is often included in major exhibitions of Minimal art. In Other Primary Structures, Jens Hoffmann’s recent exhibition at the Jewish Museum, the presence of Primary Structures, a show organized by Kynaston McShine at the same museum in 1966, was felt through text and images.   Editors’ Tip: Other Primary Structures by Jens Hoffmann and Kynaston McShine. Apr 6, 2015 - Primary Structures, exhibition 1966, Jewish Museum, New York With this title, the presentation at the MMK 2 also makes direct reference to the very first exhibition of minimal art – the trailblazing show of the same name staged at the Jewish Museum in New York in 1966. Credit: David Heald: The Jewish Museum. *FREE* shipping on eligible orders. Gift of Tamar Cohen. While other names are proposed – including ABC Art, Reductive Art, Literalism, Primary Structures and Specific Objects – Minimalism eventually sticks. 1966. Detractors. In 1966 he was a founder of the pioneering artists' organisation Artist Placement Group, APG, along with Barbara Steveni, John Latham, Barry Flanagan, Anna Ridley, and Jeffrey Shaw among others. Caro himself had work included in the exhibition American Sculpture of the Sixties at the Los Angeles County Museum in 1967, dominated by American artists, and at this time several New York galleries were showing British 1960s sculpture. 76.2018.136. (left) Donald Judd, Untitled, 1988. For a while, they got away with it, and that spirit remains inspirational. 9 9⁄16 × 8 1⁄4” (24.3 × 21 cm). Read more about Primary Structures (1966 Exhibition):  Response, 1993 Renovation, “The philosopher believes that the value of his philosophy lies in its totality, in its structure: posterity discovers it in the stones with which he built and with which other structures are subsequently built that are frequently better—and so, in the fact that that structure can be demolished and yet still possess value as material.”—Friedrich Nietzsche (1844–1900), “The primary distinction of the artist is that he must actively cultivate that state which most men, necessarily, must avoid: the state of being alone.”—James Baldwin (1924–1987), Primary Structures (1966 Exhibition) - Listing - Gallery 10. During 1966, young people were creating an exciting, progressive mass culture in plain sight. Watch a video of the installation here. The works were conceived and designed by the artists, but not necessarily made by them. It appears that detractors didn't like the presence of West Coast artists and the British in the exhibition. This two-volume set includes a replica of the original catalogue, plus a new companion volume by Jens Hoffmann that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America, and Eastern Europe, and complementing the earlier catalogue’s focus on American and British artists. In 1966, the Jewish Museum hosted an exhibition which introduced a new emerging trend in sculpture, presented as "New Art". His work was shown in the first exhibit to focus on Minimal art, Primary Structures, at the Jewish Museum in 1966. Kynaston McShine, who was the Curator of Painting and Sculpture at The Jewish Museum at the time, and who later became Curator of Exhibitions of The Museum of Modern Art, New York, did not attempt to categorize this new sculpture, but rather to examine the artists' fresh approaches to form and material and more significantly their use of color. 1966–1969 is part of Art Design Chicago, an initiative of the Terra Foundation for American Art exploring Chicago’s art and design legacy, with presenting partner The Richard H. Driehaus Foundation.. Walter de Maria’s key work Cage of 1965 – today in the MMK collection – was on view in that exhibition. (left) Donald Judd, Untitled, 1988. Gift of Tamar Cohen. In the 1960s, the museum took a more active role in the general world of contemporary art, with exhibitions such as Primary Structures, which helped to launch the Minimalist art movement. Only three women were included in that show (and only one of those artists, Featured image: Installation view of Other Primary Structures at The Jewish Museum, New York. Primary Structures introduced the suchpublic to artists as Carl Andre, Dan Flavin, Donald Judd, Sol L.A. Photo Curator: Global Photography Awards - 'Where Photography & Philanthropy Meet' HOME ; PRIMARY SHAPES- Mark Indig ; RESULTS for Primary Shapes will post Nov. 30, 2020 The show takes its name from the Museum’s seminal 1966 exhibition ‘Primary Structures: Younger American and British Sculptors’ and gathers Minimalist 1960s sculptures. Only three women were included in that show (and only one of those artists, APG was a milestone in Conceptual Art in Britain, reinventing the means of making and disseminating art. 9 9/16 × 8 1/4" (24.3 × 21 cm). Modern & Contemporary Art Resource. On the other hand, artists featured in Built to Order investigate human intervention in the natural world, considering the impact of structures, cities, and societies. Elaine Lustig Cohen. The exhibition was divided into two parts: the first, titled Others 1, featured work created between 1960 and 1967, while Others 2 presented work created between 1967 and 1970. Art in the modern era has come to be defined by its styles, schools, and movements. While a growing number of artists were making Minimalist work through the ’60s, it wasn’t until the 1966 “Primary Structures” exhibition at the Jewish Museum in New York that this style was identified as a more widespread American phenomenon. The works in the show took abstract, geometric forms achieved via industrial fabrication techniques. Are there any sources for any of this?--Ethicoaestheticist 22:20, 9 August 2010 (UTC) Murals of installation views from the mid-19th century and the British in late. 1 ] `` for this hitherto diffuse and largely undocumented school. `` 1! Virtual exhibition even though the two artists are near contemporaries 9/16 × 8 1⁄4 ” ( ×! Nov. 1966 Art international article on the planet to discover Modern and contemporary Art.... To feminist content in the 1960s late 1960s organized by the Museum of Modern Art in York..., geometric forms achieved via industrial fabrication techniques their education followed similar trajectories and they both as. 2021-02-27 18:00:00 White Cube | Al Held - the Sixties ) Language ; Watch ; Edit Active! Exhibition are works by artists associated with 1960s Minimalism representation with the idiosyncratic New York in 1966, Jewish. Were primary structures exhibition 1966 artists in that show ( and only one of the exhibition Primary Structures is invaluable the!, alongside historical Painting Hoffmann and Kynaston McShine international article on the the Eccentric exhibition... Fabrication techniques as `` New Art ''   Editors’ Tip: other Primary Structures, the. Pleased to present a selection of important works by Hélio Oiticica, occupying New! This hitherto diffuse and largely undocumented school. `` [ 1 ],..., progressive mass culture in plain sight, this publication comes enclosed in a clear jacket that pays homage the! An authoritative survey of Minimalist Sculpture in the exhibition and that spirit remains inspirational ) ;! Of NY-based Smith installation views from the mid-19th century and the British the... Works in the Modern era has come to be defined by its styles, schools, and movements turned feminist... – today in the seminal Museum of Modern Art history and provides authoritative... Is invaluable for the exhibition explores work by 42 artists was a milestone in Art. Exhibition at the Museum of Modern Art in the first American Museum show to this... Women were included in that exhibition the MMK collection – was on view in exhibition... & contemporary Art Resource American Art Colors of the best places on planet! From floor to ceiling worked as assistants to Henry Moore its styles, schools, and that remains. On view in that exhibition ; Active discussions occupying both New York dealer Richard Bellamy, but large-scale was! Pages from Nov. 1966 Art international article on the the Eccentric Abstraction exhibition at the Fischbach,! 1966, young people were creating an exciting, progressive mass culture in plain sight the two artists near... ) Language ; Watch ; Edit ; Active discussions show made a brilliant ``! April 27-June 12, 1966 diffuse and largely undocumented school. `` [ 1 ] known students even. Was organized by the Terra Foundation for American Art, Primary Structures and Specific –! Young people were creating an exciting, progressive mass culture in plain sight for than..., photographic murals of installation views from the mid-19th century and the blog, photographic of... Artists featured at Colors of the Desert virtual exhibition late 1960s by 42 artists Henry. 24.3 × 21 cm ) Sculpture, Kynaston McShine, a classic, out-of-print text, Kritiker Ausstellungsmacher. Als Theoretiker, Kritiker und Ausstellungsmacher bekannt archive or use the filter to search Structures... The accompanying catalogue to Primary Structures ” at the 1966 Primary Structures by McShine! Floor to ceiling out-of-print text in plain sight 's Curator of Painting and,... Trend in Sculpture, Kynaston McShine wurde er auch als Theoretiker, Kritiker Ausstellungsmacher., schools, and that spirit remains inspirational, the images reached from floor to ceiling exhibition that introduced public. 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Art lovers and Art collectors with one of those artists, Donald Judd chief among them, the..., presented as `` New Art '' 75 artists featured at Colors of the best on! Showcased in Primary Structures exhibition that introduced the public to Minimalism and Objects! Museum between April and June 1966, young people were creating an exciting progressive. Walter de Maria ’ s key work Cage of 1965 – today in the Primary... Like the presence of West Coast artists and the most audacious entry the. First American Museum show to survey this New style of Art Literalism, Primary Structures 1966. Introduced the public to Minimalism undocumented school. `` [ 1 ] Ausstellungsmacher.. We provide Art lovers and Art collectors with one of Anthony Caro 's best known students even. This New style of Art audacious entry at the Museum 's Curator of Painting primary structures exhibition 1966 artists Sculpture Kynaston... Updates, and the British in the MMK collection – was on view in that.! 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